Dan Kibke

I use Kenaxis for live performance and in the studio although my technique for both is the same.

The immediate appeal for me was the open ended approach to Kenaxis. Most music software is designed in such a way that there are expectations of how you will use it so you have to fight to break out of that mold.

Primarily I treat it as an instrument for processing and manipulating live sounds fed from contact microphones and photocells rather than working with pre-recorded material.
Dan Kibke / Sinusoidal – noise artist, Vancouver BC