I use Kenaxis to represent the permeable nature of digital media in live performance and in pre-recorded mashups. I struggled with other tools, but Kenaxis got me mashing instantly. It’s nimble, intuitive, and full of anarchic surprises. Playing with it has changed how I think about and listen to music.
– Brian Lamb, Educational Program Discoordinator, Vancouver, BC
For more about Brian’s work see:
- The experience of his work in Second Life
- Confessions of a Mashup Unartist (mp3)
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- And another mashup:
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September 4th, 2008 by Stefan
Filed under:: Artist Spotlight, Mash Ups, Noise, Sound Design


Kenaxis has become an invaluable addition to the ever expanding set of tools I use for composing and live performance. It’s ease of use and incredible versatility, allow me to use music technology as it should be used: to add to/not detract from the creative process. It’s great for both brainstorming, improvisation, you name it.
I use Kenaxis as my secret weapon for live sets and studio recordings, it’s one of the most important tools I have ever used on my music, and I played and tested a lot of stuff, analog and digital systems.
Kenaxis is a beautiful environment for avoiding compositional habits we all tend to fall to.


I use Kenaxis for some weeks only. For me it is a great tool in creating improvised electroacoustic music.